In "The Scarlet Ibis", what does the scarlet symbolize. 10 points!!!!!!

the answer is A. foreshadowing

Final answer:

The poem 'The Jelly-Fish' by Marianne Moore embodies Imagism, a movement championed by Ezra Pound, by adhering to the principle of not using excess words to create vivid, sensory experiences with concrete imagery.

Explanation:

One way in which the poem The Jelly-Fish by Marianne Moore embodies Ezra Pound's rules of Imagism is D.It does not use excess words. Imagism is a literary movement that values precision and clarity of language, favoring a concentration on the image and the ability to convey direct feelings through sensory experience. Moore's poem exemplifies this by not using any more words than are necessary to create a vivid image and emotional resonance with the reader. The poem relies heavily on concrete words that engage the senses, allowing readers to have a specific experience created by the poem without an abundance of extraneous detail.

The best way to revise the summary accurately and objectively is:

C. Death is the great equalizer.  

“Death Conquers All” identifies the theme of the play “Hamlet.” In the play, death plays a very important role. After killing Polonius Hamlet talks about the untimely death of Caesar. He said that death has not even pardoned virtuous kings like Caesar so will it not pardon the evils. All are equal before the eyes of Death. Even the young and innocent people also cannot hide from the inevitability of death.  

Answer:

In this excerpt, we learn a lot about Lady Bracknell's personality. We learn that she is determined to get her way, as she pays the maid for her confidence, and she is firm in her demands to Jack. Moreover, we know she is involved in her daughter's life because she considers it her responsibility to find her a suitable partner. Finally, we know she is willing to withhold certain truths as she has decided not to share the fate of her daughter with her husband.

The traits that Lady Bracknell showed include:

It should be noted that traits are the characteristics that are shown by a character in a literary work.

In this case, the lady is determined to get her way and is involved in her daughter’s life.

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Answer:

heading

Explanation:

It is important to know that when reading an email header every line can be forged, so only the Received: lines that are created by your service or computer should be completely trusted.

1) One significant difference in the poem and reality is the fact that Paul Revere didn’t ride alone, as insisted in the poem; rather, Paul Revere was accompanied by Samuel Prescott. One other difference is the discrepancy is setting. The poem states the event occurs on April 18th, but it truly occurred April 16th.

2) Longfellow molded Revere into a symbol of all important core American values that still stand to this day, such as freedom, individualism, liberty, and patriotism.

3) Longfellow treats Revere as a figure much greater and more skillful than to just deliver a message throughout his fellow neighborhoods. Paul Revere is considered ‘a voice in the darkness’, this attributes to a more serious tone and crucial development. A prominent example being the start, “Listen, my children, and you shall hear.” This is much more formal and serious than any other phrase like, “Hey kids, want to hear a story?”

The correct answer is C. Jason is scarcely well.

Explanation:

In language, a double negative occurs when there are two words that represent a form of negation within one sentence. This includes words such as never, unnecessary, not, scarcely, cannot, have not, is not, etc. Additionally, this type of construction results in positive statements but are not recommended as they can be quite confusing. According to this, the sentence that does not contain a double negative is "Jason is scarcely well" because in this case there is only one word (rather than two) acting as a negative form which is "scarcely" that means "Jason is not well".

Creon still only decides to kill Antigone and not Haemon since Haemon didn't do anything wrong yet.

In the play Antigone written by Sophocles, Haemon visits his father, King Creon, in order to convince him not to kill Antigone. Although he tells Creon that some citizens are against Antigone's punishment,  the king insults his son, who describes his father as stubborn. Creon believes that Haemon has become Antigone's slave; therefore, he orders to bring her to be killed in front of Haemon. However, Haemon promises he will never see his father again and leaves before he can do it. Finally, Creon decides not to kill Antigone's sister, Ismene, but he is determined to bury Antigone alive.

The culture depicted in 'The Hunchback of Notre Dame' is rich and reflective of the historical significance of the Notre Dame cathedral, its art, and its impact on society and religion.

The culture in Victor Hugo's novel The Hunchback of Notre Dame is deeply intertwined with the historical context of Notre Dame cathedral in Paris. Notre Dame is not only a religious building but also a repository of art, with its small statues and decorative sculptures teaching the illiterate about religious stories and doctrines. The novel highlights how the cathedral, including its sculptural decoration, survived multiple waves of destruction over the centuries, particularly during the Protestant Reformation and the French Revolutions.

Furthermore, the iconic gargoyles and chimeras serve a dual purpose: as practical waterspouts to protect the cathedral's foundation and as symbolic guardians representing evil, to instill religious adherence among the people. The resurgence of interest in the cathedral, spurred by Hugo's work, underscores the cultural significance of Notre Dame and its art in shaping public perception and preserving history.

I believe the answer is: It suggests that she did not care about his death.

Pay attention to this line

And then she—laughed. I guess you would call it a laugh.

Laughing after the death of loved ones is very unusual, but it is not impossible. From her action, most readers would most likely come up with two possible explanations:

The first one is that she is mentally shaken to the point where she laugh like a disturbed person. The second one is that she laugh because she is the one that murdered him and she is satisfied with the outcome.

Answer:  c

Explanation:

edge 2023

answer is "Because the Chinese  government wants to prevent the animal's extinction,"

The answer is

Ivan Ilyich is in great physical and mental agony as death approaches. He pities himself and feels angry and bitter toward the world. Then he has a conversation with his inner self and realizes his entire life after childhood had been wasted. Ivan Ilyich is finally at peace with himself in his last days.

Ivan Ilyich experiences a profound internal struggle and spiritual revelation regarding the truth of his life and the inevitability of death, leading to his peaceful demise.

The most accurate summary of chapters 9–12 of The Death of Ivan Ilyich is that Ivan Ilyich, in the grip of excruciating pain and the realization of his impending death, undergoes a profound internal struggle. Facing ever-worsening agony, he grapples with the inevitability of death and searches for the meaning of his life.

Ultimately, he confronts the fact that his professional successes were hollow and his life lacked genuine human connection. This inner journey leads to a spiritual revelation wherein he understands his past mistakes. The culminating point of Ivan Ilyich's life is a moment of epiphany where, after a torturous inner turmoil, he accepts his life and coming death. It is then that he experiences a moment of profound release, metaphorically described as light in place of death, and dies with a newfound sense of peace.

Sancho’s purpose for writing is C. To convince Sterne to write more texts against slavery.

It should be noted that purpose simply means the underlying message in a story. It's the author's reason for writing.

In this case, Sancho’s purpose for writing is to convince Sterne to write more texts against slavery.

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Answer:

this is my answer lololo

The isolation of the Lady of Shalott is emphasized through the poem's settings, specifically in option C. The town has fields and roads, but she lives in a secluded tower. The poem describes the surroundings of the Lady's tower, emphasizing the distance between her and the rest of the world.

The town has fields and roads, but she lives in a secluded tower. The poem describes the surroundings of the Lady's tower, emphasizing the distance between her and the rest of the world.

The poem mentions "four gray walls" and "four gray towers" that overlook a space of flowers, creating a sense of confinement and isolation. The Lady's tower is separate from the town of Camelot, and while people can be seen going about their lives in the fields and on the road, she remains secluded.

The contrast between the bustling town and the Lady's isolated tower emphasizes her isolation, as she is unable to participate in the activities of the outside world. This isolation is further emphasized through the mention of the mirror and the Lady's inability to physically interact with the people she observes through it.

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The answer is: the inward examination of oneself

The poem “Aunt Imogen” by Edwin Arlington Robinson describes a lady, aunt Imogen, who does not have and does not want to have children, however she enjoys to be like a mother to her niece and nephew, this writing make you examine yourself with the description of the roles, male and female, and the event that affect aunt Imogen.

The lines in this excerpt from the poem A Grain of Sand by Frances Ellen Watkins Harper that indicate its subject for me are:

(Do you see this grain of sand)

(Oh how little seems the span)

In this poem, the narrator is comparing a grain of sand with the significance of human life. She uses the grain of sand to show how small can a part of the beach be, how it is "lying loosely" in her hand and how us, individuals, are like a grain of sand in the Universe, "how little seems the span".  

The idea of the whole poem is to show how small and insignificant can a part of everything seem to be.

Answer: irony

Explanation:

The analyzed poems in Unit 4 present a feminine ideal that originates from the yin and yang theory. Such an ideal, emerging from the poems, appears to be a departure from traditional religious and moral assumptions of womanhood common in the Middle Ages.

An analysis of poems in Unit 4, predominantly written from a male perspective, reveals an emergent feminine ideal that reflects societal and cultural shifts of the time. This is grounded in early examples of the yin and yang theory, an element from Chinese philosophy where yin represents feminine attributes (dark, passive, receptive, and intuitive), while yang signifies masculine traits (bright, active, penetrating, and rational).

John Donne's poem, 'Anatomy of the World', reacts to changing worldviews. His work suggests a lamentation for old certainties, likely including traditional ideals of femininity. By contrast, later writings propose a shift from spiritual or heavenly forces to fundamental forces, signifying a transition to more rational and philosophical times. Such a perspective allows a more nuanced approach to understanding femininity.

When compared to the Middle Ages' view of femininity, this new ideal seems more grounded and less influenced by religious doctrine. During the Middle Ages, women were widely perceived as weaker vessels, both morally and physically. The feminine ideal emerging from Unit 4's poems seems to challenge this narrative, allowing for a broader range of strengths and roles for women.

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Final answer:

The feminine ideal in Unit 4's literature showcases a progression from traditional imitation of male writing to phases of feminist protest and self-discovery, implying a complex femininity distinct from the simplistic Middle Ages' ideals.

Explanation:

The feminine ideal that emerges from the poems referenced in Unit 4 tends to be multifaceted, reflecting various stages and styles of women's writing. Notably, poets like Emily Dickinson often challenged nineteenth-century gender roles by exploring themes beyond the domestic sphere typically prescribed to women. Emily Dickinson's poems demonstrate a shift from the Feminine, where initially women writers imitated men, to stages of Protest or Feminist, and Self-Discovery or Female, showing a progression towards individualism and self-expression.

The Feminine ideal from the Middle Ages typically emphasized piety, chastity, and submissiveness, contrasting sharply with the more complex and diverse representation of femininity found in later literature. This evolving concept of femininety has been explored through different lenses by poets such as Edna St. Vincent Millay, who addressed female sexuality within the framework of Modernism.

Ultimately, literature from Unit 4 reveals an ongoing dialogue about femininity, encompassing traditional values and radical ideas of female independence and agency, markedly different from the demure and passive medieval feminine ideal.

Answer:

Explanation:

Hamilton starts the penultimate Federalist paper by recognizing that there are a few protests to the Constitution that have not yet been examined. The most critical of the rest of the complaints is that the Constitution does not contain a bill of rights. It has just been called attention to that few state constitutions don't contain bills of rights, including New York State.

Strangely, New York subjects who restrict the government constitution on the ground that it does into contain a bill of rights have huge adoration for their state constitution. These nationals guarantee that the state constitution does not require a different bill of rights on the grounds that the assurance of individual rights is composed into the constitution itself. The equivalent is valid for the government constitution.

In the sentence 'Did you replace the tires on your old car?' the direct object is 'tires.' It receives the action of the verb 'replace'.

In the sentence 'Did you replace the tires on your old car?' the direct object is the word 'tires'. When looking for the direct object in a sentence, you should ask the questions what? or who? following the verb. In this case, asking the question 'Did you replace what?' points to 'tires' as the recipient of the action 'replace', making it the direct object. The other options, 'replace', 'car', and 'you', do not fit the criteria as 'replace' is the verb, 'car' is part of a prepositional phrase, and 'you' is the subject of the sentence.