What characteristics are common in impressionist artwork

Final answer:

The song in question is “Young and Menace” by Fall Out Boy, from their album M A N I A released in 2018. It delves into themes of identity and rebellion, uniquely incorporating various musical styles and pop culture references.

Explanation:

The lyrics provided are from the song “Young and Menace” by the band Fall Out Boy. This track is featured on their album “M A N I A,” which was released in 2018. The song explores themes of identity, rebellion, and self-reflection, utilizing a diverse range of musical elements, including a heavy use of electronic beats and drastic shifts in tone. The reference to “Nikki Sixx” nods to the notorious lifestyle of the Mötley Crüe bassist, symbolizing survival against the odds. Additionally, the lyrics also playfully incorporate a line from Britney Spears’ hit “Oops!... I Did It Again,” demonstrating Fall Out Boy’s known penchant for embedding pop culture references within their music.

Jefferson Airplane was the band that had hit songs with "Somebody to Love" and "White Rabbit," which typified psychedelic rock.

The band Jefferson Airplane had hit songs with "Somebody to Love" and "White Rabbit," which typified psychedelic rock. Psychedelic rock is a genre of music that emerged in the 1960s, characterized by its hallucinatory and experimental sound. Jefferson Airplane was a prominent and influential band in the psychedelic rock movement, known for their distinctive vocal harmonies and use of unconventional instruments.

https://brainly.com/question/39218441

#SPJ12

The difference between media arts and animation versus computer animation is that the former encompasses a wide range of media and techniques, including traditional and digital forms, while the latter specifically refers to animations created with computer technology, such as 3D graphics and CGI. Computer animation focuses on motion, storytelling, and utilizes specific software, while media arts also include disciplines like graphic design with a focus on communication.

The difference between media arts and animation vs computer animation lies in the scope and techniques used. Media arts and animation encompass a broad range of practices and media, including traditional forms of art such as drawing and painting, as well as digital forms like digital installations, virtual reality, and net art. It includes both digital and traditional techniques, and the artwork created can be a single piece or part of mass production on digital media. In contrast, computer animation is a subset within these broader categories. It specifically refers to the creation of animations using computer technology. This includes 3D computer graphics, motion capture technology, and the production of CGI (computer-generated imagery) often used in film and media. While digital production techniques are utilized across the board for various digital arts, computer animation focuses more on movement and storytelling within digital models.

Furthermore, technology's role in the creation process is a defining characteristic of computer animation. Software programs not only support the creation of digital art with two-dimensional characteristics but also enable the development of richly detailed three-dimensional environments and characters in computer animation. Meanwhile, media arts and animation may also involve graphic design, where the intention is communication with a specific message to an audience; however, computer animation could be utilized within this, particularly for motion graphics.

It's important to note that the skills required can also differ considerably. For instance, whereas the approach to character development and storytelling may remain consistent, directors and creators might require different skill sets for various mediums involved in digital art and computer animation. Additionally, legal considerations such as copyright issues play a role in both fields, as artists need to navigate and comply with the proper licensing when creating and sharing digital works.

Futurism, a 20th-century art movement, focused on conveying the dynamism and energy of the modern world. Unlike 19th-century realism, Futurism embraced visual elements of technology and industrial landscapes.

The 20th-century art movement known as Futurism was quite the departure from the realism of the 19th century art. Instead of focused depictions of everyday life, futurism celebrated the dynamism, speed, and energy of the modern world, specifically visual elements related to technology, industrial cityscapes, and automobiles.

Unlike realism, which depicted scenes of daily life as is, Futurism sought to break from the traditional representations of physical reality and instead, seek to portray the dynamism of the modern age.

https://brainly.com/question/24333273

#SPJ12

The calotype had several benefits over the daguerreotype. One major advantage was the ability to produce multiple prints from a single negative.

Unlike the daguerreotype, which produced a unique image on a polished metal plate, the calotype utilized a paper negative that could be reproduced through the process of contact printing.

This allowed for greater accessibility and wider distribution of photographs.

Also, the calotype had a shorter exposure time, making it more suitable for capturing subjects in motion.

Its use of a flexible negative also made it easier to transport and handle compared to the fragile daguerreotype plates.

Learn more about caloytpe  at:

https://brainly.com/question/33854879

#SPJ6

Answer:

   Symmetry is obtained from an axis or a point, where we see equal or practically equal sides. Symmetry is pleasing to our eyes, it gives us perfect harmony, because many things are naturally symmetrical - our body, for example.

    It is true that there is some visual comfort when it comes to symmetry, but that is not why it needs to be monotonous. Symmetry is synonymous with stability and balance, so we see many more traditional layouts using only centralized information. Although this does not classify design as tedious, we can use symmetry without falling into this trap which is a comfortable design and without risk or dynamism.

    Proportion is one of the standards of classical “beauty”, being in art the ability to relate two or more different measures on the same support. Measurements can be determined by the (geometric) relationship between width and height in the same object, or of this relative to another.

    Since ancient times the golden ratio has been used (theoretically) in the arts, architecture and of course also in Design. Some claim that it is possible to find it also in other segments such as Beethoven's ninth symphony (which would have been based on this reason), Masonic plays, purse actions, the proportion of the human body and nature. It has also been cited in pop culture literatures, such as the Da Vinci Code Book.

It is illegal to have an unrestrained animal in the vehicle while driving. This law aims to ensure the safety of both the occupants in the vehicle and others on the road. The option (C) is correct.

Unrestrained animals can cause distractions to drivers, leading to loss of focus and impaired control of the vehicle. In the event of a sudden stop or collision, unrestrained animals can become projectiles, posing serious risks to both vehicle occupants and others on the road.

Ensuring animals are properly secured or restrained while traveling not only adheres to legal requirements but also promotes responsible pet ownership and overall road safety for everyone.

Answer:

Perotin

Explanation:

:)

Answer:

liveliness

Explanation:

got it right on the test

Answer:

liveliness

Explanation:

In Anne Bradstreet's poem "Verses upon the Burning of our House," the narrator's thoughts turn to her material possessions that were lost in the fire and she reflects on finding solace in spiritual beliefs during times of loss.

In Anne Bradstreet's poem "Verses upon the Burning of our House," once the narrator recovers from the initial shock of grief, her thoughts turn to her material possessions that were lost in the fire.

She reflects on how these possessions were only temporary and earthly, and that her true home is in heaven.

This shift in thinking suggests the theme of finding solace and comfort in spiritual beliefs during times of loss and tragedy.

https://brainly.com/question/33848654

#SPJ12

Artists from the Minimalism movement stressed that paintings should be seen as objects. This movement emphasized simplicity, materiality, and a departure from representational imagery.

Artists associated with the Minimalism movement most stressed that viewers should see their paintings as objects, not pictures. Minimalism, which emerged in the 1960s and 1970s, is characterized by an emphasis on simplicity, geometric forms, and a focus on the physical properties of the materials. Artists like Donald Judd, Agnes Martin, Dan Flavin, and Robert Morris stripped away what they saw as superfluous aspects of art, stressing the basic materiality and removing any sense of the artwork being a window to another world. Instead, their work highlighted the object itself, encouraging viewers to engage with the art in a direct and present manner.

Final answer:

The classical era in music coincides with the Age of Enlightenment, an era of intellectual and philosophical advancement marked by empirical and rational thought, mirrored in the clear structures of classical music.

Explanation:

Classical Era in Music and Philosophy

The classical era in music refers to a period that spans from approximately 1730 to 1820. This is a time characterized by the works of composers such as Mozart and Haydn. It coincides with the Age of Enlightenment, which is a significant historical period in philosophy and science. The Age of Enlightenment, also known as the Age of Reason, took place in Europe during the 17th to 18th centuries and was marked by intellectual and philosophical exploration that emphasized reason, individualism, and skepticism towards traditional doctrines.

The overlap between the classical music era and the Enlightenment is significant because it encapsulates the transformation of artistic and scientific thought. Many Enlightenment thinkers, including scientists and philosophers, adopted empirical approaches and rational thought, which paralleled the clear structures and harmonies found in classical music compositions of the time.

This period in history is also noted for its advancements in various fields such as philosophy, where figures like Socrates, Plato, and Aristotle made foundational contributions during ancient times, and scientists like Empedocles and Democritus who developed early concepts of matter and the universe.

The Renaissance (UK: /rᵻˈneɪsəns/, US: /rɛnəˈsɑːns/)[1] was a period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history. It started as a cultural movement in Italy in the Late Medieval period and later spread to the rest of Europe, marking the beginning of the Early Modern Age.

The intellectual basis of the Renaissance was its own invented version of humanism, derived from the rediscovery of classical Greek philosophy, such as that of Protagoras, who said that "Man is the measure of all things." This new thinking became manifest in art, architecture, politics, science and literature. Early examples were the development of perspective in oil painting and the recycled knowledge of how to make concrete. Although the invention of metal movable type sped the dissemination of ideas from the later 15th century, the changes of the Renaissance were not uniformly experienced across Europe.

As a cultural movement, the Renaissance encompassed innovative flowering of Latin and vernacular literatures, beginning with the 14th-century resurgence of learning based on classical sources, which contemporaries credited to Petrarch; the development of linear perspective and other techniques of rendering a more natural reality in painting; and gradual but widespread educational reform. In politics, the Renaissance contributed to the development of the customs and conventions of diplomacy, and in science to an increased reliance on observation and inductive reasoning. Although the Renaissance saw revolutions in many intellectual pursuits, as well as social and political upheaval, it is perhaps best known for its artistic developments and the contributions of such polymaths as Leonardo da Vinci and Michelangelo, who inspired the term "Renaissance man".[2][3]

The Renaissance began in Florence, in the 14th century.[4] Various theories have been proposed to account for its origins and characteristics, focusing on a variety of factors including the social and civic peculiarities of Florence at the time: its political structure; the patronage of its dominant family, the Medici;[5][6] and the migration of Greek scholars and texts to Italy following the Fall of Constantinople to the Ottoman Turks.[7][8][9] Other major centres were northern Italian city-states such as Venice, Genoa, Milan, Bologna, and finally Rome during the Renaissance Papacy.

The Renaissance has a long and complex historiography, and, in line with general scepticism of discrete periodizations, there has been much debate among historians reacting to the 19th-century glorification of the "Renaissance" and individual culture heroes as "Renaissance men", questioning the usefulness of Renaissance as a term and as a historical delineation.[10] The art historian Erwin Panofsky observed of this resistance to the concept of "Renaissance":"